Does Iain Duncan Smith Do His Research by Watching TV?

Middle-class Britain has been shocked by the ‘hidden reality’ of welfare ghettos apparently revealed by TV programmes such as Benefits Street, Iain Duncan Smith explained as he spoke at the Centre for Social Justice today about how his welfare-to-work reforms are apparently beginning to work.

“Whilst the middle-class majority were aware of the problems in poor communities, they remained largely unaware of the true nature of life on some of our estates,” he stated, perhaps giving more indication of his own lack of awareness than that of others.

True nature? Is this actually how the work and pensions secretary does his research? Does he sit in his office, with his back to the £10,000 taxpayer-funded portrait of himself, feet up on the mahogany desk, watching Benefits Street and learning about how poor people live? Or perhaps he watches from home, in one of the wings of the 16th-century Tudor mansion that he inherited in 2001. (Culture of entitlement, anyone?)

This is exactly why programmes like Benefits Street are dangerous: they appear credible. As anyone who has worked in TV will tell you, documentaries never simply ‘reveal the truth’; they tell a story. That’s what makes them interesting. The story in this case is: Benefits culture is out of control and it has become a way of life for all claimants.

Only it isn’t, and it hasn’t.

The vast majority of people claiming unemployment benefits in the UK do so as a last resort. The people I spoke to in my research for Feral Youth considered signing on as a shameful option – something they would do anything to avoid. This is the reality. Benefit fraud only accounts for a small fraction of our expenditure (roughly £1.2bn compared to an estimated £65bn in profiteering by buy-to-let landlords, subsidies to banks, tax-dodging by the super-rich etc.)

The documentary is carefully crafted to show only the extreme components of life for the inhabitants of James Turner Street: the neglect, the abuse, the lack of pride and of course, the sense of entitlement. In fact, recent research on this exact same street by Vector Research, painted a somewhat different picture. “None of us would have suggested that it was a cosy neighbourhood we would seek to live in,” said Paul Baker, who led the research, “but it was far from the hell hole portrayed on Benefits Street.”

What Iain Duncan Smith is doing, quite unashamedly, is using propaganda to justify his hideous reforms that serve to push deprived communities further into poverty, rather than lift them out.

young people

The loudest message that came out of my research, which involved spending time with young people in charities, schools and on the streets in the wake of the London Riots, was this:

They talk about getting us off benefits and into jobs, but what jobs? I been trying for two years and I can’t get no work.

Job prospects, especially for young people with little social capital, are dire. Unlike Iain Duncan Smith, most people can’t get away with fake qualifications on their CV and the longer they remain out of work, the harder it becomes to continue the search.

In fairness, IDS did reference his ‘visit after visit’ to deprived areas, which gave him a sense of how urgently ‘life change’ was needed.

“In neighbourhoods blighted by worklessness… where gangs were prevalent, debt and drugs the norm… families broken down… those living there had one thing in common; they were for the most part dependent on the state for their daily needs.”

I can’t help wondering how deeply Mr Smith conversed with the people who made up these deprived communities, as he was toured through in his expensive suit with his entourage of staff. Did he hang out on street corners and ask how young people spent their time now the local youth centre had closed down? Did he ask the teenagers in the shadows of the tower block whether they were still thinking of going to university, now that tuition fees would leave them £36,000 in debt? Did he get invited into homes on the estate to talk to desperate mums about how they were coping with paying the spare room subsidy, given that there weren’t any smaller properties in the area?

During a school visit in south London, I asked a bunch of teenagers what they would say if they had the opportunity to speak to David Cameron. They replied:

Try living our lives for a day. Just try it.

And that, I believe, is what Iain Duncan Smith needs to do if he really wants to end the ‘twilight world where life is dependent on what is given to you, rather than what you are able to create.’

Or, I suppose, he could just stay in his inherited £2m mansion and watch it on TV.

 

Polly Courtney is author of Feral Youth – the story of the London Riots through the eyes of a disenfranchised teenage girl.

“Raises uncomfortable questions about this abandoned generation of poor, semi-literate, “feral” youth.” – Press for Feral Youth

A breakthrough book… Alesha is compelling, even loveable. In the choices she has to make, she raises some uncomfortable questions about this abandoned generation of poor, semi-literate, “feral” youth.”  – Independent on Sunday

“Are they really “feral”, or is that just an excuse that keeps us from thinking about the problems?” – The Guardian

Listen now

“Feral Youth is both moving and shocking. It grips from the first page.” – Words With Wings

“A story from the streets: An extract from Polly Courtney’s novel Feral Youth about 15-year-old Alesha, who gets caught up in the London riots.”  – We Love This Book

“Courtney’s latest book gives an insight into the young lives of generation recession, revealing the riots as inevitable and a long-time-coming.” – The Student Journals

“In her speech, Polly thanked everyone who helped her with the publication of Feral Youth (both Jennifer and Sarah were summoned on stage!), and reminisced of her decision to leave HarperCollins – which she did so fairly publicly, in 2011, at the launch party for It’s A Man’s World – and return to self-publishing. “ – Troubador Publishing

“What I’m trying to do is get into the head of Alesha and show people what it’s really like to be like her and how it’s very different to a lot of the stereotypes of young people today…I think she’s a person people need to know about.”  – Ones To Watch

“The more I heard from young people, the more opinionated Alesha and some of the other characters became.”  – The Londonist

“A book (and message) that should resonate with many young people.” – CultureFly

“It is Alesha’s resourcefulness and positivity, alongside her underlying goodness, that makes us root for her, even when her actions seem deplorable, and it is this that pushes the narrative on as we race towards the unexpected ending and a potential new start for Alesha.”  – The National Student

“The backdrop for the novel is the build-up to the 2011 summer riots and it’s written from Alesha’s perspective. The ambition is to get readers thinking about the reality of life for many young people like Alesha, who are either ignored or stigmatised in the mainstream press – labelled ‘feral’ and assumed to be beyond hope.” – The Omnivore

“Then I read it, and I was hooked. Polly Courtney gets it. She understands why things are the way they are. Courtney tells the truth and she does so through the eyes of a character that you are rooting for from page one.”  – Shout Out UK

“On 26 June we went to Soho for the launch of Polly Courtney’s latest book ‘Feral Youth’. The place was packed with young people, journalists, youth orgs, publishers, film makers and other cool cats…” – Youth Media Agency

“I opted to return to self-publishing precisely because I longed for collaboration. For Feral Youth, I wanted to liaise directly with my cover designer. I wanted to seek feedback not just from one lone individual with a subjective view from her ivory tower, but from a stable of trusted, crowd-sourced advisers as well as from my professional editor.” – Huffington Post

“What I love about self-publishing is the ability to carefully choose those third parties and to work directly with them, instead of being at the end of a long chain of faceless entities in a publishing house.” – Teleread

“While this week has proven to be filled with interesting discourse on the current state of self-publishing, some counterarguments just write themselves.” – Good eReader

“It’s due to the fact that Courtney knows the importance of collaboration that she succeeds in self-publishing.” – Kirkus Reviews

“How can a first-time, self-published author gain the attention of the BBC and the Times? And after such a coup, what can go wrong when you join a big publishing house?” – NY Book Editors

“The sense of freedom, creativity and entrepreneurship was instilled in me from a very young age.” – Words With Jam

“Walking away from a publishing deal with HarperCollins was a massive step, but one that has given me the freedom to write what I believe is an important story: the story of Alesha, a vulnerable, disenfranchised young person from a generation of disaffected youth.” – Chptrs: Publishing’s Next Chapter

“Alesha’s is the voice of a barely literate teenager, reaching out to us from a world we’d prefer to pretend doesn’t exist.” – The Library Cat

“In the summer of 2011, I was lying in bed, smelling burning police cars and scrolling through Twitter…” – High Heels & Book Deals

“Her new, self-published book, Feral Youth — involving the 2011 London riots — is scheduled for an August 1 availability in the States.” – Jane Friedman

“Immersive book launch for Polly Courtney’s latest novel”  – Book Brunch

“Feral Youth is one of the best books I’ve read in a long time. Emotionally charged throughout I instantly felt a connection to the disenfranchised protagonist.” – Creative Bloc

“A great, compelling story told from the perspective of a 15 year old girl growing up in Peckham, South London.” – Completely Novel

“Feral Youth is as life-affirming as Trainspotting and will connect with teenagers and adults alike.” – Lambert Nagle

“There was a lack of cohesion between what they believed about themselves and their books and the “profit mindset” demonstrated by their publishers.” – Stand Out Books

“I don’t like to see inequality or prejudice going unnoticed.” – Nolan Parker

“After the riots, I was left thinking why did that happen?” – Me, My Books & I

“In short, it’s been a really liberating experience for me. I’ve been able to write about a subject I care about, retaining control of the way it’s published.” – Movellas